(click on "log in to edit," then "edit this page," password = poesy)
(for editing tips, see WikiStyle)
okay, so i totally stole this from npr's "writer's almanac." sue me.
-riley
At midnight in his living room a man is angry at a fly that is bothering him. How can this be? A man is angry at things that never happened and never will happen. He's angry at the woman he'll never meet because she refuses to meet him because, not existing herself, she has no idea that he exists. He's frying potatoes that don't exist at sunset. The frying pan is a black sun and out the window in the gathering dark the ocean looks so heavy that it might fall through the earth and join another ocean. At dawn he wakes. There's a fly in the room but perhaps it's a miniature bird. Magnified, the sound is the basso rumbling of the universe the peculiar music galaxies make when they fray against each other. He sleeps again, his hand on his dog's heart which says don't be angry. She senses the steps of the last dance saved for us-Jim Harrison, "Despond"
..is one of my top three most favoritest living poets. Should you ever happen upon a used copy of The Dream of the Unified Field or Never, do yourself a favor and snatch it up. Meanwhile, glut yourself on the following (very long--my apologies) excerpt.
-riley
Spring
Up, up you go, you must be introduced.
You must learn belonging to (no-one)
Drenched in the white veil (day)
The circle of minutes pushed gleaming onto your finger.
Gaps pocking the brightness where you try to see
in.
Missing: corners, fields,
completeness: holes growing in it where the eye looks hardest.
Below, his chest, a sacred weightless place
and the small weight of your open hand on it.
And these legs, look, still yours, after all you've done with them.
Explain the six missing seeds.
Explain muzzled.
Explain tongue breaks thin fire in eyes.
Learn what the great garden-(up, up you go)-exteriority,
exhales:
the green never-the-less the green who-did-you-say-you-are
and how it seems to stare all the time, that green,
until night blinds it temporarily.
What is it searching for all the leaves turning towards you.
Breath the emptiest of the freedoms.
When will they notice the hole in your head (they won't).
When will they feel for the hole in your chest
(never).
Up, go. Let being-seen drift over you again, sticky kindness.
Those wet strangely unstill eyes filling their heads-
thinking or sight?-
all waiting for the true story-
your heart, beating its little song: explain. . .
Explain requited
Explain indeed the blood of your lives I will require
explain the strange weight of meanwhile
and there exists another death in regards to which
we are not immortal
variegated dappled spangled intricately wrought
complicated obstruse subtle devious
scintillating with change and ambiguity
Summer
Explain two are
Explain not one
(in theory) (and in practice)
blurry, my love, like a right quotation,
wanting so to sink back down,
you washing me in soil now, my shoulders dust, my rippling dust,
Look I'll scrub the dirt listen.
Up here how will I
(not) hold you.
Where is the dirt packed in again around us between us obliterating difference
Must one leave off Explain edges
(tongue breaks) (thin fire)
(in eyes)
And bless. And blame.
(Moonless night.
Vase in the kitchen)
Fall
Explain duty to remain to the end.
Duty not to run away from the good.
The good.
(Beauty is not an issue.)
A wise man wants?
A master.
Winter
Oh my beloved I speak of the absolute jewels.
Dwelling in place for example.
In fluted listenings.
In panting waters human-skinned to the horizon.
Muzzled the deep.
Fermenting the surface.
Wrecks left at the bottom, yes.
Space birdless.
Light on it a woman on her knees-her having kneeled everywhere
already.
God's laughter unquenchable.
Back there its river ripped into pieces, length gone, buried in parts, in
sand.
Believe me I speak now for the sand.
Here at the front end, the narrator.
At the front end, the meanwhile: God's laughter.
Are you still waiting for the true story? (God's laughter)
The difference between what is and could be? (God's laughter)
In this dance the people do not move.
Deferred defied obstructed hungry,
organized around a radiant absence.
In His dance the people do not move.
Jorie Graham, Underneath (9)
1) Say "Mlinko" out loud. Self-explanatory.
2) Her poems--which in this respect would seem to mirror her brain in all its fractal glory (hello there, Mr. Nugent)--are forever branching in unexpected directions, giving the illusion of a descent into entropic disintegration while hinting at the possibility of a more cohesive, forest-for-the-trees kind of symmetry. The following selection does a durn good job of highlighting this quality.
-riley
Are you scared to die? If the answer is a) No, skip to the end of the poem; if b) Transformer station amid receptive cacti When the air compresses & rocks the whole housing Octopus-undersides, satellite dishes Call your brother & compact the bill Dynamiting little hibiscus almost like Christmas Causal cell phones all business Down by the consulates and banks To get a signature guaranteed For all time forwards & backwards Expanding the guest list to include The group home schizos like communicating bakeries Though the universe folds its arms around you Though the whole universe unfolds its arms to embrace you Though the galaxy takes two arms of its own to hold you No I didn't get any sleep last night French language New York cop shows Algerian TV all loneliness in the banlieues Spanish adventure movies from the seventies Emptying new trash into the sublime where we fish As Halloween democratizing Cleopatra's wig Falls on a pumpkin, my brown hair-Ange Mlinko, The Djinn at Your Birth
hidyho. below is this experiment's inaugural poem, which seems fitting as i am currently famished. i suppose i should give it a worthy introduction, but am too lazy. enjoy.
-riley
Ink runs from the corners of my mouth. There is no happiness like mine. I have been eating poetry. The librarian does not believe what she sees. Her eyes are sad and she walks with her hands in her dress. The poems are gone. The light is dim. The dogs are on the basement stairs and coming up. Their eyeballs roll, their blond legs burn like brush. The poor librarian begins to stamp her feet and weep. She does not understand. When I get on my knees and lick her hand, she screams. I am a new man. I snarl at her and bark. I romp with joy in the bookish dark.-Mark Strand, Eating Poetry
Page Information
|
Wiki Information
|
Recent PBwiki Blog Posts |